Drawing

Pencil, charcoal, ink drawings and sketches

Woodpecker transformation series showing four sequential paintings: naturalistic woodpecker at feeder progressing through geometric deconstruction to pure circular abstraction, demonstrating systematic architectural analysis of natural form

Vulnerability Study

Year: 2023

Medium: red pencil on paper

Dimensions: 34x44cm (incl frame)

Intimate figure study in red pencil, capturing a moment of vulnerability. The covered face creates psychological tension between concealment and exposure, while the precise pencil work allows for subtle tonal transitions. The professional matting focuses attention on the small but emotionally charged drawing, creating contemplative space around the figure. Part of ongoing exploration of human gesture and psychological states through classical drawing techniques.

Woodpecker transformation series showing four sequential paintings: naturalistic woodpecker at feeder progressing through geometric deconstruction to pure circular abstraction, demonstrating systematic architectural analysis of natural form

Red Hat Series

Year: 2025

Medium: Pencil and ink on paper

Dimensions: (3x) 15x20cm

This triptych explores the same motif—figure with red hat—through varying poses and perspectives. The mixed media technique (red ink, coloured pencil) creates tonal subtlety on warm-toned paper. Each study demonstrates anatomical precision, whilst the red accent creates visual cohesion across the series. The intimate scale and professional presentation transform quick observational studies into contemplative objects. Available individually or as a complete series.

these drawings are available for purchase individually

Woodpecker transformation series showing four sequential paintings: naturalistic woodpecker at feeder progressing through geometric deconstruction to pure circular abstraction, demonstrating systematic architectural analysis of natural form

Kantarell I-IV

Projekt: fUN&Co (Forms and colours up north)

Year: 2025

Medium: Polychromos on cardboard

Dimensions: (4x) 8x11cm

This miniature series proves that transformation methodology works at an intimate scale. Four studies systematically deconstruct a chanterelle mushroom from botanical observation to pure linear abstraction. The small format creates jewel-like intensity—each work demands close viewing. The progression reveals hidden geometric relationships: radiating gills become linear patterns, and organic curves transform into architectural diagrams. Professional framing elevates these pocket-sized studies to gallery standard, demonstrating that conceptual rigour doesn’t require monumental scale.

Sold as a complete series – these drawings are not available for individual purchase

Woodpecker transformation series showing four sequential paintings: naturalistic woodpecker at feeder progressing through geometric deconstruction to pure circular abstraction, demonstrating systematic architectural analysis of natural form

Blue Nude with Mirror

Year: 2025

Medium: pencil and ink on paper

Dimensions: 32x42cm (dimension frame)

This composition explores dual perspective through contrasting media—the observed figure rendered in blue ink, whilst the mirror reflection appears in pencil. This technical distinction emphasises the difference between direct observation (ink) and mediated reflection (pencil). The scale shift between a complete rear view and a fragmented mirror image creates spatial tension. The monochromatic approach with two different media creates visual dialogue between “real” and “reflected,” questioning perception and representation through material choice rather than colour.

Woodpecker transformation series showing four sequential paintings: naturalistic woodpecker at feeder progressing through geometric deconstruction to pure circular abstraction, demonstrating systematic architectural analysis of natural form

Man in White Hat

Year: 2025

Medium: pencil and ink on paper

Dimensions: 60x60cm (dimension frame)

This urban portrait captures a solitary figure navigating city streets—white hat creating strong contrast against dark jacket, pedestrians ghosted in the background. The large square format creates intimate proximity despite a public setting. The cobblestone street pattern demonstrates architectural detail, whilst atmospheric perspective suggests depth. The monochromatic palette unifies figure and environment, creating a contemplative mood. This work bridges street photography composition with classical drawing technique, documenting contemporary urban solitude through traditional media.

Monochromatic figure study showing upward-gazing nude against architectural stone wall background, rendered in blue-grey tones

Blue Nude with Stone Wall

Year: 2025

Medium: pencil and ink on paper

Dimensions: 32x42cm (Frame)

This figure study places the upward-gazing form against a constructed stone wall, creating dialogue between organic human form and geometric masonry. The monochromatic blue-grey palette unifies figure and architecture, whilst the dramatic sky above suggests monumentality. The upward gaze and architectural background reference classical sculpture traditions—figure becoming part of the built environment. The stone pattern demonstrates architectural precision, whilst the figure’s pose creates vertical emphasis against horizontal wall construction.

Monochromatic figure study showing upward-gazing nude against architectural stone wall background, rendered in blue-grey tones